![]() A glaring issue is that the Panasonic S PRO 24-70mm F2.8 was shot on an S1, a camera body without an AA filter while the rest were shot with camera bodies with AA filters. In a non-scientific test, this standard-zoom from Panasonic edged out its Canon, Sony, Sigma, and Nikon counterparts in terms of center sharpness and performed quite well in the corners.īut being a non-scientific test, this should be taken with a grain of salt. Video can’t be loaded because JavaScript is disabled: My Top 5 L – Mount Lenses for the Lumix S Series () It pretty much lives on my camera whenever I’m going to any professional shoot.” The color- everything has pleased me about this lens. You have a really nice depth of field in the background and I just really, really like it. It has sharp corners, 2.8 allows you to let lots of light in, keeps your ISO really low. When it comes down to optical performance, Devon Williams, Creative Director from The Raven Studio thinks it’s flawless. It’s weather-sealed, dust and splash resistant, and can withstand less than ideal conditions as extreme as -10 degrees Celsius. The S PRO badge on this gem should tell you all you need to know about this one. Let’s start the list with a workhorse lens. Today, we’re going to run through some of the best L-mount lenses for Panasonic S-series cameras, according to pros. Two years, five cameras and a platoon of solid lens offerings from three camera giants later, the L-mount system is shaping up to be a formidable contender in the mirrorless arena. ![]() ![]() A lot of things have happened in photography in recent years, two of the biggest names in photography, Canon and Nikon, finally decided to seriously compete in the full frame mirrorless game, introducing their first flagship mirrorless systems to challenge Sony’s dominion over the mirrorless market.Įven more interesting (in my opinion) was the team-up between Panasonic, Leica, and Sigma - forming the L-Mount Alliance for full frame cameras.
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